Snoop Dogg has recently encouraged his fans to boycott the new “Roots” remake series as he is tired of the slave movies and dramas. According to Uncle Snoop, filmmakers should create new material about the success of African Americans up to present day, instead of repeatedly showing audiences only African American’s historical hardships. One person who couldn’t disagree more with Snoop Dogg, is analyst Roland Martin.
Martin had some advice for Snoop that included him telling Snoop to put down the weed. Martin said,
“Maybe if Snoop actually watched Roots, he’ll realize Kunta Kinte wasn’t the n-word? You will never find someone Jewish saying there’s way too many Holocaust films. Slavery happened. Slavery is real. Black folks are survivors since the first slaves touched down in Jamestown, Va. You have the potential to change the game but you want to talk about someone else.”
Roland challenged Snoop to not slam Roots but to actually put up his money to invest in other projects that document history.
“Why don’t you stop smoking weed and bother to call Will Packer., Ava Duvernay, or call Spike Lee… or the countless African Americans that are trying to make those films and are looking for folks to put their money where their mouth is as opposed to some money on some good weed.”
Martin said we need all stories told! Who do you agree with Snoop or Roland? Snoop replied saying he will not respond to Roland, who he called a fat bald-headed b-tch a– n-gga.
Black Lives Matter organizer Jasmine Richards has been convicted of “felony lynching” and now faces four years in a Pasadena state prison.
Felony Lynching is rarely used these days, because it was a law created specifically to punish and deter racists vigilante’s when they tried to take a Black person out of police custody to kill them. However, the legal definition is simply when somebody attempts to remove a person from police custody.
The incident happened on August 29, 2015 at a peace march at La Pintoresca Park in Pasadena where Jasmine and others demanded justice for Kendrec McDade, a 19-year-old African American killed by Pasadena police in 2012. Jasmine allegedly tried to “de-arrest” somebody at a peace rally, according to Democracy Now, and she was arrested. After the arrest, the she was slapped with the charge that has evoked outrage.
Activists that cite America’s rich legacy of terrorism to Africans in America during and after slavery does not miss the irony in this specific charge against Jasmine.
Black Lives Matter organizer Melina Abdullah talked frankly to Democracy Now.
“Her conviction is not only about punishing Jasmine Richards, but also is the lynching,” Abdullah said. “So it’s really disgusting and ironic that she’s charged and convicted with felony lynching, when the real lynching that’s carried out is done in the same way it was carried out in the late 19th, early 20th century, where it’s supposed to punish those who dare to rise up against a system.”
Shortly before Jasmine was arrested, California Governor Jerry Brown legally had the name of the law changed to remove the word “lynching.”
Here is a partial transcript of Abdullah’s conversation with Democracy Now:
Jasmine was absolutely targeted in this arrest and many other arrests. So, Pasadena is a relatively small suburb of Los Angeles. Jasmine’s activism is hugely significant, because she comes out of an area of northwest Pasadena where it’s deprived of resources. And what her activism really means and really signals is that people who are deprived of resources have the capacity to look up and recognize that it’s the system that creates these conditions. And that system, the system that creates state-sanctioned violence, also deprives communities of resources. So, when Jasmine was awakened, she did a phenomenal job of also awakening all of the folks in her community. So, as Nana Gyamfi described, you know, she had children who were working with her. She had young people who were working with her. She had folks who had maybe been on the corner a week ago working with her and recognizing that the system needs to be transformed. And so that poses a threat to the existing social order that wants to keep black poor people, especially, oppressed. And so, Jasmine is our Bunchy Carter. Jasmine is a political prisoner and represents probably the hugest threat to the state, in that the folks at the bottom can recognize their own oppression and rise up against it.
Now, her conviction is hugely significant, because her conviction is not only about punishing Jasmine Richards, but also is the lynching. So it’s really disgusting and ironic that she’s charged and convicted with felony lynching, when the real lynching that’s carried out is done in the same way it was carried out in the late 19th, early 20th century, where it’s supposed to punish those who dare to rise up against the system. But also, you leave the body hanging from a tree to send a signal to the rest of those black folks who might want to get out of line, and remind them that the state has more power than they do. But I think that in the end, what we see—we had a packed courtroom for the entire trial. What we see is we are not going for this anymore. We are not going to let our folks be lynched. We’re not going to let our folks be murdered by the state. We are working continuously for justice for Kendrec McDade, for Ezell Ford, for Wakiesha Wilson, Jamar Clark and all of those that the state has murdered, but also for the freedom and the right to protest and really vision a new system that gets us free. And that’s what we are going to do. We’re going to struggle for justice for Jasmine Abdullah. She has chosen the name Jasmine Abdullah, but the state knows her as Jasmine Richards. We are going to continue to struggle for her freedom, because our freedom is bound up with her freedom.
Indie New York rapper Chazmere recently premieres the music video for his song “Ten.”
The single is from Chazmere’s upcoming self-titled album, out June 10.
“This video, this song is about all those who do all it takes to actualize
their dreams,” Chazmere said. “Those who are building their careers piece by piece. Those who do all it takes regardless of ego, pride, etc.”
(AllHipHop News) NBA star Kenny “The Jet” Smith is part of a new initiative titled Full Court reFRESH, which recently hosted an all-star panel, where plans were announced to refurbish basketball courts on the West Side of Chicago.
Rapper 2 Chainz was part of a discussion that included NBA legends Shaquille O’Neal and Charles Barkley. During the discussion, the Full Court reFRESH project announced a $40,000 donation to the Chicago Urban League.
“What we’re doing is providing an important resource for the younger generation. A lot of the kids don’t have anything to do with their time right now,” 2 Chainz said, according to The Chicago Sun-Times.
The money will go to renovations in Columbus Park and to make improvements to another park near the University of Illinois.
The thinking is that improved basketball courts will help with recreational exercises and lead to a reduction in the violence that continues to plague the city.
“A lot of them look up to athletes or entertainers, so when you do these things, build a studio or refurbish a basketball court, it helps change the trajectory in our neighborhoods, along with seeing somebody like myself, speak to what’s happening in the streets,” 2 Chainz reasoned.
New Jersey Hip-Hop artist IamG recruited West Coast rapper Iamsu! for the new song and video “100 Grand.”
The track is the lead single from his forthcoming debut EP Mia Vita.
“Being from the East Coast, I have a lot of respect for Iamsu! as one of the West Coast leaders for the new school,” IamG said. “I’m thrilled he jumped on my first single and co-signed 100 Grand with me.”
“100 Grand is more than just about the money, it’s a feeling,” added IamG. “When you’re in the club partying without a care in the world; you can have the world. In most cases wherever you go, 100 Grand is enough to buy anything but most importantly, you’re enjoying yourself.”
(AllHipHop News) Rapper Meek Mill reportedly has to serve eight more days under house arrest for failing to complete his community service requirements.
The “Ima Boss” star, real name Robert Rihmeek Williams, was sentenced to 90 days under house arrest, which began in March (16), after he was found guilty of violating the terms of his probation in December, 2015.
Nicki Minaj’s boyfriend was banned from working during the three month period and was only allowed to leave the house for community service and charity work, and was due to be released on Wednesday (June 1).
However, he has been ordered to serve eight more days because he failed to complete his community service hours with the correct charities, according to TMZ.com.
Documents reportedly show that a judge told Meek to put in 90 days of work, the same amount of time as his arrest, but he didn’t do community service every day. The judge also specified he work with the homeless, senior citizens, or Habitat for Humanity, but the rapper has been volunteering at other places, such as schools.
An official at the Philadelphia District Attorney’s Office says the case will be reassessed once his service hours have been completed.
The 29-year-old was on probation relating to drug and gun charges from 2008. He violated his probation terms by repeatedly changing his court-approved travel schedule without consulting his probation officer.
He was given six more years on probation in addition to the house arrest.
(AllHipHop News) Blac Chyna will be coming to network TV with her fiancé Rob Kardashian in a new reality show for E!.
The new, six-episode docuseries is titled “Rob & Chyna” and will document Blac Chyna’s pregnancy.
The series is being produced by Ryan Seacrest and Bunim/Murray productions, the same company behind the long-running, hit series “Keeping up with the Kardashian’s.”
Blac Chyna is pregnant with her second child. She also has a baby named King Cairo Stephenson with ex-fiance, rapper Tyga.
A follow up special of “Rob & Chyna” is being timed to air with the couple’s baby’s arrival, who is due later this year.
(AllHipHop Features)Three years agoI intervieweda then 16-year-old newcomer named Bishop Nehru. The Nanuet, New York rhymer was just months removed from dropping his official debut projectNehruviaand on the cusp of releasing a second mixtape titledStrictlyFLOWz.
At the time, Bishop was just as eager to talk aboutNBA 2KandThe Boondocksas he was to talk about his burgeoning rap career. While he always exhibited an advanced sophistication and intelligence, our most recent conversation felt as if the artisan born Markel Scott has matured well beyond his 19 years on this Earth.
A lot has changed in Nehru’s life since July 2013. His music catalog grew to include joint efforts with Dizzy Wright and 9th Wonder (Brilliant Youth EP) as well as MF Doom (NehruvianDoom).
In addition, Bishop became one of the first signees to Nas’ Mass Appeals Records and also one of the first performers to amicably part ways with the Hip Hop legend’s company.
Bishy Chulo decided to followadvice given to him by Kendrick Lamar:“It’s Hip Hop. Keep doing it. Do not stop… Even when labels don’t [listen to you]. You just got to go for self.”
The emcee/producer did just that.
Nehru is set to return this week with his latest independent body of work –Magic 19.Over 11 tracks, listeners will get to further experience Bishop’s transformation from a wide-eyed youngster just happy to be at the big boys table to a young man with a clear vision of what he wants in this world.
I once again got the chance to speak with Bishop Nehru. This time we discussed his new collection, his evolution as an artist, the magical power of music, and more.
You haveMagic 19about to drop. Can you talk about the meaning behind that title?
Magic 19is an expression of myself. I like to say that it’s magic, because I feel like I’m becoming the best version of myself, starting to be able to control what I want, and have everything come to me.
That’s where the magic part come from, being able to change things with my mind and have things happen the way I see them happening. The 19 is just because I’m 19 years old. And this is the year that I’m putting the magic to use and really understand it.
When do you turn 20?
August 26… Actually, I don’t think I’m going to say I’m aging anymore.
So you’re going to stay 19 forever?
Yeah. [laughs]
That’s a good age. The only problem is you’ll never be drinking age.
I don’t drink anyway.
Okay, that makes it easy. [laughs]
Yeah. [laughs]
Going back to you saying you’re becoming the best you, as I was listening to the project it felt like one of the themes was the idea of evolution. I could hear how you evolved musically. Do you feel like you’ve undergone a personal evolution as well?
For sure. I’m definitely feeling like there was a lot of growing that has happened in the last couple of years. It was stuff that I probably never talked about before in my music. I felt like this project was the one where I felt like I really started to express all the experiences that are starting to go on. A lot of the stuff I was putting out before this project was really just stuff to show off lyricism, but I feel like with this project I was writing more for a story, experience, and feeling.
There were a few times where you were talking about the idea of people doubting you or hating on you. Do you feel you haven’t been properly recognized as an artist so far?
Yes and no. It was really kind of a shot at people who are fake fans. People who will say, “You don’t put out enough music.” But I haven’t stop putting out music for the past three years, and some years I put out three projects.
It’s not that I don’t put out enough music. It’s that you’re not looking to find the music I’m putting out. I feel like there are always going to be people who say, “There isn’trealHip-Hop this. There isn’trealHip-Hop that.” But if you’re not looking for it or trying to find it, how can you possibly say it’s not out?
It was pretty much shots at stuff like that. It wasn’t really like I felt like I wasn’t getting credit. I don’t really care for credit. When you make music, it’s not the credit that you want. You just want people to see it.
I feel what you’re saying about listeners not necessarily paying attention to what’s happening. I feel like part of that is on us. I feel like the media sometimes focuses a little bit too much on the sensationalized stuff and not as much on the art. But I definitely feel like the project you did with Doom got a lot of attention. Did you work with him again for this project?
With this project, it was pretty much all me and a couple of other producers. I did it kind of the same way I did withNehruvia. I looked for beats that I already had that I wanted to use. But I’ve been talking with Doom still. The stuff we talk about is not really about music.
I’m sure it has to be great to have somebody like him with that experience that you can talk to in general. As an artist, there aren’t too many people that can relate to your lifestyle. What is it like having somebody like Doom that you can talk to?
It’s grounding. You can get away for a second and actually have somebody that’s going to look at you as a normal person, a person who just wants to have a conversation.
I want to go back to the project’s production. I know you didn’t produce “It’s Whateva,” but it did have a similar sound to Kendrick’s “untitled 07.” Was that a coincidence or was it intentional?
It was a coincidence. The “Want You” track was intentional. I actually had that beat on my computer for a while. I just never used it. It was on SoundCloud, but when [Kendrick Lamar’sTo Pimp A Butterfly] album came out they made the producer who made it take it down, but I heard it before he took it down.I just hit him up and asked if he could send it to me. He sent it to me, and like 9 months later I ended up rapping to it.
The “It’s Whatever” beat was from a different producer. I was in Dallas to do a show – I happened to already know the producer from social media – so we linked up out there. He played that beat for me then, and I told him I wanted it.This was way before the Kendrick project was even talked about.I had the beat for a while and the track done.
Wayne and 2 Chainz even used it [for “Bentley Truck”]. It was just a huge coincidence. It must be a sample that’s easy to find or something.
I’m glad you cleared that up, because sometimes people don’t realize months go by before a track gets released. People would probably hear it and think, “Wait a minute?”
Yeah, when I heard [“untitled 07”] I was like, “Damn. Should I still put this out?” I had a video ready and everything. [laughs] It was just like, “F-ck it.”
Do you prefer a particular art form – emceeing or producing?
Not really. Honestly, I like doing both of them. Sometimes I do just sit and make beats all day. I wish I had an artist I could make beats for like a Dr. Dre or Quincy Jones.
Somebody doing a full project produced by Bishop Nehru? That would be interesting.
Yeah, I want to do that. I’d definitely be down for that.
Going back toMagic 19, I noticed that on this project you were making blatant sexual references. That was something different to hear from you. What sparked that different approach?
[laughs] Getting into sexual situations. I guess that’s part of the experience of getting older that I was talking about. There’s certain stuff that I never really rapped about. It’s like a whole different world of stuff for me to rap about now.
I try to look at everything like Louis Armstrong did. He said he wrote down everything that he felt. Once I heard that, it was likewhy not?Why not express how you feel in the moment? I’ve been growing and living life, so there’s always going to be something new to talk about.
I don’t want to be that censored rapper. I want to be that rapper who just raps about what he raps about. That’s because I don’t look at myself as a “rapper.” I look at myself as an artist. One of the biggest things with artists is that they don’t have boundaries. They’re supposed to try to change people’s perceptions. It may cause a stir, but it’s life.
There has been this concept that music is magic and it’s almost spellbinding in a way. What are you thoughts on that?
Music definitely puts people in a trance. When you hear certain songs, sometimes you just can’t control how you feel. I definitely feel like music is a form of magic by putting people in a trance.
You can control people with music. You give people a certain feeling. You can make them feel happy, sad, angry. You can make them want to punch someone. You can make them want to kill someone. You can make them want to give someone a hug. You can make somebody want to cry. I guess it kind of magic in its own right.
You have a track onMagic 19called “Sacred Visions.” What do you see for yourself in the future? What is the vision for Bishop Nehru?
Right now at this young age, I’m just trying to get everything for myself, so by the time I’m around mid or early 20’s I can start trying to do thing for others. I feel like now at 19 is the time I start setting things up myself and getting everything I see myself doing in order first.
Then I’ll try to start doing other things. Just expand and help other people. I feel like right now I could help people in the smallest way by doing the little things, but I mean helping on a larger scale.
Are you interested in signing other artists eventually?
Probably when I’m in my 30’s. I don’t think I’d want to do that now until I’d want an artist that I would want to be the best, and I still wouldn’t want to be at the top anymore. But I still have that hunger to be at the top.
You’re still just 19, but you’ve had a lot of experience in the business over the last few years. What have you learned about the industry?
I learned that I should have stayed in school and played basketball, got scouted and went to the league. [laughs] Nah, I learned it’s a business. Everything is business. That’s something a lot of people don’t care to believe, but everything is pretty much business.
I know you’re just joking, but somebody might see that statement and wonder:Does that mean Bishop’s not really dedicated to the music? Is this not necessarily something he wants to do?
I didn’t mean it like that. I just meant… I feel like with music it’s a lot more to it than people get to see. Everybody thinks it’s just touring and having fun. But if you want to be the best, and not just a rapper that comes and goes, you got to put in a lot of work which I’m not opposed to.
I’m just more of the artist who wants to be in the studio making music rather than being at a video interview, getting asked questions. It’s not that there’s anything wrong with that, but it’s something you have to do if you want to be at the top. It’s not like I don’t have any passion for this. I definitely love doing it. It was just a little joke.
Bishop Nehru’sMagic 19is scheduled for release on June 3rd viabishopnehru.com.
(AllHipHop News) Veteran rapper and producer Daz Dillinger has taken exception to clear similarities between a song he dropped in the 90’s to a recent track produced by DJ Mustard.
The songs in question are 1994’s “Who Got Some Gangsta S**t,” Snoop Dogg and The Dogg Pound and 2014’s “My Main” by Mila J.
“You can play this song by DJ Mustard…’My Main.’ They stole this, but I don’t get no publishing so I gotta sue the publishing company,” Daz said. “DJ Mustard ain’t give us no publishing…he ain’t give us nothing.”
In a video, Daz maintains he’s going after Sony Publishing, who apparently seeks to avert a lawsuit.
The west coast staple continued, “They gave me back all my copyrights, which is unheard of, ‘cause they in the wrong. They like, ‘We don’t wanna deal with this. Give him all his s**t back…we’ll just give it all to him. And then you can sue us after that. So that’s what I’m doing. Getting all my publishing back and then I go after DJ Mustard.”
In the video, he chronicles how a face to face interaction with DJ Mustard went. He also states that DJ Mustard didn’t actually construct the song in question. “He just put his name on it,”Daz stated.
(AllHipHopNews) Nicky G of Sway in the Morning caught up with Jay Rock at Minnesota’s Soundset Festival this past Memorial Day weekend, where the rapper explained the details of his February motorcycle accident.
Jay Rock, who suffered a broken leg and cracked pelvis, spoke on the incident for the first time.
“[I was] just doing what real dudes do, I was on my bike. You know accidents happen, that’s all I got to say. By the god’s grace he protected me the whole way,” Jay Rock casually explained.
Jay also went into detail about his feature on YG’s “I Just Wanna Party” came about.
“What’s crazy, I wrote another verse before that verse. He wanted me to go off how Schoolboy Q’s going off. And I said you sure you want me to rap like that. He was like yeah do your thing, and I just did my thing in less than 15 minutes.”
A few years ago, maybe 10 years, there were rumors that Lil Wayne tried to leave Cash Money. When that happened, there were rumors that all sorts of crazy stuff happened. Cars were blown up and the like – rumors said. Well, needless to say, Wayne never left the iconic label. Certainly, those were just rumors. Right? Well, there seems to be an ominous vibe these days as Wayne is getting more and more brazen with his disses to his “daddy” and Cash Money. I ain’t gonna lie. I can’t hear all that Birdman is saying, but I hear “Pull up” and “Fk you hating on me puy.” Remember just last year, somebody was accused of representing Rich Gang and shot up lil homie’s tour bus.
Back in the day, before social media, this was not a thing. Now, everybody has to do and say something public. Then when and if it pops off, the laws have a nice trail of breadcrumbs to go on.
It should be noted that Wayne’s name was never mentioned.
(AllHipHopNews) In a tweet that has since been deleted, rapper Joey Bada$$ accused the NYPD of being behind the cancellation of his performance at Irving Plaza that was scheduled last night (June 2).
The rapper’s performance was supposed to be a part of the Governor’s Ball After Dark concert series taking place at various locations all across New York City this weekend.
The cancellation was in connection to the shooting which took place at T.I.’s concert in New York on May 25th and left fellow Brooklyn MC Troy Ave shot in the leg, two others wounded and Troy’s friend and bodyguard Ronald “Banga” McPhatter, dead.
A representative for the NYPD contacted Billboard, denied involvement and directed questions to the venue and owner of the venue, Live Nation.
Live Nation took responsibility for cancelling a total of six performances including ones by Mac Miller (June 3), Vince Staples (June 4) and YG (June 6).
“In light of last week’s tragic event, we are acting with an overabundance of caution and coordinating a going forward strategy with the New York Police Department that may also include a curfew,” a spokesperson for Irving Plaza and Gramercy Theatre told Rolling Stone. “Because these discussions with New York Police Department are ongoing, we will be postponing a few of our upcoming shows.”
(AllHipHop News) The principal of Fetty Wap’s former high school has been disciplined for allowing the rapper to shoot a provocative video for his song “Wake Up.”
Eastside High School’s Principal Zatiti Moody has been suspended with pay, after the video for “Wake Up” caused an uproar in the local community.
Clips of the video feature scantily clad women dancing on poles inside of a classroom, and other scenes depict marijuana and alcohol use.
It is hard to imagine any other kind of video for the song, since its lyrics are very direct.
Superintendent Donnie Evans announced Principal Moody’s suspension during an investigation with the Board of Education.
Even though permission was granted to shoot the video, the Board is seeking to find out if all policies were observed when the video was shot.
“As there are procedures that must be followed in securing the use of our facilities, whether all procedures were followed is in question and being investigated – and will be addressed as a personnel matter,” said Eastside High spokeswoman Terry Corallo.
(AllHipHop News) Rapper Wiz Khalifa has filed a lawsuit against long time manager and business partner Benjy Grinberg and his Rostrum Records.
Wiz Khalifa is attempting to get out of a 360° deal with Rostrum Records, which he claims he signed in 2004, when he was just 16-years-old.
To make matters worse, Grinberg allegedly induced Wiz into signing a series of amendments to the original agreement, which gives Rostrum the rights to all of the rapper’s income streams for the next 10 years.
“An artist’s most trusted advisor is his or her personal manager. Generally, nothing good comes out when the manager decides to go into business against his artist. Unfortunately, that is the case here,” said Alex Weingarten, Khalifa’s attorney at Venable LLP reported Variety.
Although Benjy Grinberg and Rostrum Records have not managed him since 2014, they are apparently still tied to Wiz Khalifa through the 360° deal.
Grinberg had much a different opinion of the lawsuit’s merits. He told Variety that Wiz was “turning” on him” after years of support.
“To witness an artist turn on you after supporting them for a number of years is very disheartening,” Benjy Grinberg said. “This is an egregious lawsuit filled with inaccuracies, yet unfortunately people sometimes resort to these practices as a way of conducting business.”
The rapper’s lawyers are asking a Los Angeles judge to void the agreement with Rostrum Records, under the California Labor Code’s seven-year rule.
Wiz Khalifa is also seeking at least $1 million in damages.
Legendary Hip Hop spitters Craig G and Kool Keith have joined forces to bring a new project and video to the masses. Check out their latest venture in this AllHipHop.com Exclusive Video Premier for “Make Your Arrangements” below!
Get more details about Craig G’s new album “I Rap And Go Home” here.
People forget that Desiigner is a kid..in high school. Well, the young brother went to his prom and shamelessly balled out. Check out the video of him rubbing his wealth all in our faces over social media.
(AllHipHop News) Lawyers for rapper Troy Ave are urging members of the public to come forward with information regarding a violent shooting last week in New York, that left one man dead and three others wounded.
According to Troy Ave’s lawyer, many of the eyewitnesses are refusing to assist the NYPD with the investigation.
“We understand that some people have a complete lack of trust for law enforcement (especially NYPD) and the investigations that they conduct,” Scott Leemon told AllHipHop.com. Based upon that belief, many refuse to cooperate.”
Video from the disturbance clearly shows dozens of people assembled backstage at Irving Plaza in Manhattan, just seconds before four people, including Troy Ave, were wounded after a fist fight in a green room turned into a shootout backstage on May 25.
Troy Ave’s lawyers Scott Leemon and John Stella declared that Troy did not shoot himself, nor did he kill his longtime friend, Ronald “Banga” McPhatter, who died after being struck in the stomach by a bullet.
Police have charged Troy Ave, born Roland Collins, with attempted murder. He is being held without bail.
But a lack of assistance from the many bystanders is not only hampering the police’s investigation, it is harming the rapper’s defense.
“Our problem is that this information might be helpful for us to show that the real victims here are “Banga” McPhatter, who died a hero, trying to protect his life-long friend, Troy Ave and Troy, himself, who was shot in the leg,” Scott Leemon told AllHipHop.com
Troy Ave has pleaded not guilty, and his lawyers maintain his innocence, as prosecutors look for clues and attempt to determine if there was a second shooter.
But Troy’s attorneys also need information to mount the rapper’s defense, which could land him in prison for 10 years to life.
If anyone was present or knows someone who was present in the VIP area that night, please send us your or their contact information and we will have a defense investigator follow up,” Scott Leemon explained to AlHipHop.com.
Troy’s lawyers also think there could be more video and pictures of the conflict floating around that could help vindicate their client.
“If anyone has any video, pictures and/or other information shot that night, please forward it to us with your contact information,” Scott Leemon said.
We have elections every year and I don’t understand where each election isn’t important in terms of how policies, laws and the direction of the city/state/country are at stake. It’s even more vital when it comes to people of color being that the landscape seems to haven’t really changed, especially in recent years. I know, I know…. We felt it was important that a Black president be elected to prove that we can have a hand in how we’re viewed as people, but, I ask, how has that changed how we’re treated in America?
We elected a Black president 8 years ago and yet, it seems that police brutality has risen and Blacks are still being killed at alarming rates (and often by other Blacks). Politicians and government officials still don’t care about the black vote and it’s especially evident with the likes of Donald Trump becoming the republican candidate for president spewing the type of rhetoric that, even republicans admit is divisive, yet, there is a 50% chance that he will be elected this country’s president this election year.
But, if we keep taking a back seat to politics and local government, then the ONLY thing we can do is complain since we don’t want to be part of the process that helps shapes the ‘rules’ law enforcement and government goes by. We NEED to be in that conversation at ALL times and not just when there is a black candidate running for office. There are people who may not look like us that understand that there are many racial and class injustices based on the thoughts and views of the powerful and elitist who want to keep things the way they are or even make it more in their favor. And there are also people of color who would delight in holding us back in order to further their own selfishness so that they can be placed in positions of power that would only benefit them since our subjugation helps advance their cause as well.
So, the only thing I can say is, we NEED to become more involved in what takes place in government, no matter how corrupt it is. Think about it… In just about everything you follow or you may enjoy, there may be discrepancies in the process. Sports, entertainment, award shows, etc. You know there have been times where you felt that something was somehow rigged or that a certain party is favored over others to result in outcomes that are suspect. Well, if you agree and even if you don’t, we have to have a voice in how we are treated in this country and doing nothing will help none of us when it comes to the unjust policies and attitudes of this here ‘great’ country we live in.
So, one question….. How involved in the process are you?
One of our favorite female emcees, Lil’ Kim, might need an intervention. Kim’s appearance seems to change every year. For a while now, Lil’ Kim has been accused of bleaching her skin as her complexion is drastically lighter now. Some believe that the Queen Bee may not be bleaching, but instead, she may be using makeup that is several shades lighter than her skin tone. When Kim is asked about her appearance and her surgeries she seems to get offended or appear confused about why she is being questioned, especially since so many others have gone under the knife. Kim decided she has had enough of the bleaching accusations as she recently clapped back on Instagram.
“Okay but when the f-ck did I bleach my skin u miserable moron. My last post clearly shows that but u haters will always have something to say even when facts r right in front of your face, but I understand ur just doing ur job as a hater but understand this … I checked my calendar and I still won’t give a f-ck Neveruary the 1st either,” said Kim.
Kim will forever be one of the illest, but regardless everyone misses her old face.
Rapper Lil Jon has threatened to sue a store owner for selling a hip flask emblazoned with his song title “Turn Down For What.”
The “Get Low” star’s lawyers sent a cease and desist letter to the owners of Blue & Cream in the Hamptons on Long Island, New York to ask them to stop selling the flasks, which bear the name of his 2013 hit track, unless they strike up a licensing deal, which would give Lil Jon 40 per cent of the future profits.
Owner Jeffrey Goldstein told the New York Post gossip column Page Six that he didn’t intend to cause a problem and will stop selling the product immediately.
“The flask was inspired by the song’s party theme,” he said. “This is likely a case of a third party trying to bully us, but the right thing to do is to stop selling the flask. It was all in good fun; it wasn’t meant to cause an international incident.”
While many might not know Gary Anthony Williams by name, you know his voice if you’ve ever had the pleasure of viewing the spot on, politically conscious, Cartoon Network Adult Swim cult comedy series, “The Boondocks.”
“The Boondocks” was borne from the comic strip that was first seen on the music site Hitlist.com and Gary AnthonyWilliams memorably voiced the irascible turncoat, modern day house slave “Uncle Ruckus” for four seasons and 55 episodes.
“Uncle” Ruckus is known for his transcendental race and class conscious commentary on what it means to be one of very few black families living in the lily white suburban haven of Woodcrest, or any well off suburb America.
So Williams has some chops when it comes to playing funny characters that audiences just love to see getting what’s coming to them.
It follows well then that Williams’ character Bebop in “Teenage Mutant Ninja Turtles: Out Of The Shadows” finds himself, along with his best buddy Rocksteady, played with relish by four-time world champion WWE wrestler Sheamus. Sheamus gets mutated into something less than ideal as foot soldiers for the dreaded super villian Shredder (Brian Tee).
“He gets morphed into a warthog, ” said Williams with a bit of glee. “He is very willing to help Shredder also. Just not the smartest dude in the world. Neither of them are,” shared Williams about his partner in crime, Rocksteady.
” Behop and Rocksteady have a real love for each other being around each other and helping each other out,” Williams added. “It’s a brotherly love thing that actually Sheamus and I have a really good time just hanging out together.”
Well, in that case, it would appear that in fiction and in real life, sudden horrific mutation makes for good bedfellows… or something like that.
“Teenage Mutant Ninja Turtles: Out Of The Shadows” starring Megan Fox, Stephen Arnell, Will Arnett, Tyler Perry, Brian Tee, Alan Ritchson, Sheamus, Noel Fisher, Gary Anthony Williams, Johnny Knoxville, Jeremy Howard, Laura Linney and Brittany Ishibashi opens nationwide in theaters on June 3, 2016.
(AllHipHop News) Meek Mill has been teasing his Dreamchasers 4 mixtape for several months. The Philadelphia rapper has still not provided a lot of details on DC4, but his longtime production partner Jahlil Beats recently spoke with AllHipHop.com about the highly anticipated project.
“This one is Meek going back to the streets and giving you so much substance. I think this is his best body of work,” says Jahlil. “I don’t know if it’s going to stick, but we got ‘Tony Story 3’ which is ridiculous. We got some club records.”
The producer of songs such as “Ima Boss” and “Amen” adds, “[Meek] has grown. He’s been through some stuff last year and this year. He has a lot to talk about, so he’s definitely going to answer those questions.”
There have been rumors circulating online that Dreamchasers 4 could be arriving in the very near future. But according to Jahlil, Meek is still putting the finishing touches on the tape.
“I don’t know when it’s coming. I just know we’re finishing it up. That’s all I can really tell you. I’d say we’re like 88% done,” Jahlil states.
Besides working with Meek on DC4, Jahlil has created tracks for several other artists. Upcoming projects from Beanie Sigel, Royce da 5’9”, Fabolous, Dave East, Zoey Dollaz, CRMC, Bok Nero, and even NBA star Damian Lillard could include the “Jahlil Beats holla at me” producer tag.
In addition, Jahlil discusses some of his recent work, his new Tandem Music Group business, the new Philly sound, and more.
Read AllHipHop.com’s full interview with Jahlil Beats HERE.
Malaysian born singer-songwriter, Yuna released the official video for her track “Lanes.” The dreamy song is taken from Yuna’s third studio album, Chapters.
“It’s a story about what heartbreak looks like. It’s revealed in the end what it was that broke my heart. also a reflection of my past relationship,” said Yuna regarding her newest video for “Lanes.”
The storyline for lines is told in reverse, which made shooting the video for “Lanes” with director Brian Oh, a welcomed challenge for Yuna.
“It’s easy to tell a story in normal timeline, but in reverse, you have to make sure visually it looks beautiful and Brian captured all the movements, and emotions in reverse beautifully,” Yuna said.
Chapters album also contains Yuna’s high profile hit single “Crush” featuring Usher.
Benzino and Dave Mays, formerly of The Source Magazine, make an appearance on episode 10 of N.O.R.E. & DJ EFN’s popular “Drink Champs” podcast.
The pioneers of urban journalism recount a number of stories, including how they started The Source, how they spent millions in the early days of the Internet and what they are up to now.
In one of the many highlights of this episode, Benzino and Dave Mays tell about the time Tupac rusher the stage while A Tribe Called Quest was accepting an award at The Source Awards.
New Orleans’ Young Greatness follows his song “Moola” with the brand new track “Ball,” which was produced by Mariibeatz, who also contributes to Young Thug’s Slime Season 3.
Young Greatness is getting ready for a busy year, since his album I Tried To Tell Em 2 project will be due out later in the year.
(AllHipHopNews) Golden State recently achieved the rare feat of rallying from 1-3 deficit to take their second straight trip to the NBA Finals, for a rematch with King James and The Cleveland Cavaliers.
DJ Sharp, who hails from Oakland, California, is the official DJ of the Golden State Warriors.
In a feature on GlobalSpin360.com, DJ Sharp discussed what songs the players liked to warm up to.
Sharp shooter Steph Curry’s favorite motivation music to hear from DJ Sharp is Lecrae, while Andre Igoudala prefers “King Kunta” by Kendrick Lamar.
Klay Thompson enjoys Young Thug’s “Pull Up On A Kid.”
Early in his youth, DJ Sharp was a Hip-Hop head. He came a professional DJ by the age of 15, and started to make his name locally, by working with local legends such as Blackalicious and Lyrics Born. He’s DJ’d for a number of artists, including Kelly Rowland and Lauryn Hill.
Check out a track list of some of DJ Sharp’s favorite tracks to pump up The Golden State Warriors. Game 1 starts at 9:00PM EST tomorrow (June 2) at the Oracle Arena in Oakland.
A Tribe Called Quest – Award Tour A$AP Ferg ft. Future – New Level – Warriors Edit Alvaro & Mercer ft. Lil Jon – Welcome To The Jungle – Bay Area Version DJ D-Sharp ft. Tree Thomas – 73 DJ Kool – Let Me Cut My Throat – Cutso Remix Desiigner ft. Kanye West – Panda – Ronaissance Pt. 2 Remix Drake & Future – Jumpman E-40 – Choices (Yup) – DJ D-Sharp Warriors Arena Remix Johnny Cash – Ring of Fire vs Team Canada – DJ AM Edit Just Blaze & Baauer – Higher Mac Dre – Feeling Myself Major Lazer ft. Busy Signal, The Flexican, & FS Green – Watch Out For This (Bumaye) Montel Jordan – This Is How We Do It – Mayeda Twerk Remix Nas – Made You Look Panic City – O.A.K.L.A.N.D. Skrillex & Diplo ft. Bunji Garlin – Jungle Bae Too Short – Blow The Whistle Vell ft. DJ Mustard – Oakland – Warriors Remix
(AllHipHop News) Harlem emcee Den10 is back with a new track featuring an assist from Bodega Bamz. The J. Cardim produced single “Pain” will appear on Den’s forthcoming self-titled EP scheduled to be released later this year.
“I made this record back when I was still dealing with Cinematic Music Group, around the time when Nipsey Hussle was working on volume one of his Bullets Aint Got No Names series,” Den10 tells AllHipHop.com.
The self-proclaimed rap historian continues, “One night we were all in the studio getting off verses, and I told Bamz to hop on the song. This was before he was really known on the scene – for rapping anyway. He really didn’t want to do it initially, but I convinced him to lay his verse. I’m glad he did too. The record came out amazing.”
Listen to AllHipHop.com’s premiere of Den10’s “Pain” featuring Bodega Bamz below.
Remember earlier this year when Beyonce’s Beyhive stung TheBlaze personality, Tomi Lahren, after she accused Beyonce of spreading hate speech and condemned her for marrying a “drug dealer”?
Well, Jay Z decided to check Tomi on Pusha T’s new single “Drug Dealers Anonymous,” and let’s just say Tomi isn’t too happy about it. Jay used a sound bite from Tomi’s rant where she told Beyonce,
“Your husband was a drug dealer. For fourteen years, he sold crack cocaine. Talk about protecting black neighborhoods? Start at home.”
She took to her Twitter account to sarcastically thank Pusha & Hov as she claimed she always wanted to be on a track with two drug dealers.
“Always wanted to be on a track with two drug dealers. Thanks @PUSHA_T & #JayZ #DrugDealersAnonymous,” said Tomi.”
De La Soul just premiered their newest track “Pain” featuring Snoop Dogg.
The group is pushing the boundaries with Snoop in the video for “Pain,” which is also accompanied by an interactive lyric video game.
The track with Snoop Dogg is taken from De La Soul’s upcoming album the Anonymous Nobody (ATAN). The unique artwork for the single was designed by Pablo Stanley.
(AllHipHopNews) TDE has certainly been making much noise this year.
Kendrick Lamar surprised everyone with the release of his Untitled project in January. Earlier this month, TDE CEO Top Dawg caused a ruckus by teasing a new mysterious signee to the roster, who was later revealed to be Lance Skiiiwalker.
Just last week, Top Dawg and SZA dropped her track “twoAM,” which is a remix of PARTYNEXTDOOR and Drake’s tune “Come And See Me.”
TDE label mate Schoolboy Q has been working on a new album that was supposed to be coming to market this year. The reports have finally been confirmed by “Groovy Q” himself.
Schoolboy Q took to his Twitter to announce the July 8th release date.
Schoolboy Q has kept his own name afloat by dropping gritty, hard edged singles like “Groovy Tony” and the Kanye assisted “That Part.”
The upcoming release from the bucket hat aficionado is yet to have a set title, tracklist or artwork, but more is sure to be revealed as soon as the summer heats up.
This album is the first project Schoolboy Q has released since his 2014 major label debut, Oxymoron.
(AllHipHop News) Drizzy fans should make sure they set their reminders for Saturday night. The Toronto performer is planning to serve as host for OVO Sound Radio on Beats 1.
“This Saturday… I’m going off… I am the DJ for the first hour,” wrote Drake on Instagram.
The next episode of OVO Sound broadcasts on June 4. The show is known to play both well known songs, buzzing singles from up-and-coming artists, and cuts by international acts.
OVO Sound has also debuted new music and projects such as the Drake and Future joint mixtape What A Time To Be Alive.
Drake launched his Beats 1 radio program in August 2015. OVO Sound Radio was part of the reported $19 million deal the YMCMB superstar signed with Apple.
(AllHipHop News) Smoke DZA decided to celebrate the start of Cinematic Music’s “Smokers Club Tour” by releasing a brand new project. The surprise effort is titled George Kush Da Button: Don’t Pass Trump The Blunt.
The sequel to 2010’s George Kush Da Button was inspired by the rise of Republican presidential candidate Donald Trump.
“We were all sitting around and talking bout how much we didn’t f-ck with Trump,” explains DZA. “One of the homies said, ‘I would never pass Trump the blunt,’ as he was passing me the blunt. I laughed about that sh-t. We all did, and basically birthed the Don’t Pass Trump The Blunt campaign right there.”
The Kushed God may not be in support of the brash businessman, but DZA does have a favored candidate in the race.
“I’m not a Trump fan at all based on the number of comments he’s made that I just don’t support. I’m actually rooting for Bernie because I think he’s the right man for the job,” says the Harlem emcee.
George Kush Da Button: Don’t Pass Trump The Blunt features appearances by A$AP Rocky, Joey Bada$$, Action Bronson, and more. The project is available for download at LiveMixtapes.
Check out the date for the “Smokers Club Tour” and stream Smoke DZA’s George Kush Da Button: Don’t Pass Trump The Blunt below.
Smokers Club Tour Dates
5/31 – Vancouver, BC @ Vogue Theater
6/1 – Portland, OR @ Crystal Ballroom
6/2 – Seattle, WA @ Showbox at the Market
6/4 – San Francisco, CA @ Regency Ballroom
6/5 – Los Angeles, CA @ Club Nokia
6/8 – Santa Ana, CA @ The Observatory
6/9 – San Diego, CA @ North Park Observatory
6/12 – Phoenix, AZ @ Livewire
6/15 – Salt Lake City, UT @ The Complex
6/17 – Denver, CO @ Cervantes Ballroom
6/18 – Albuquerque, NM @ Sunshine Theater
6/19 – El Paso, TX @ Tricky Falls
6/23 – Dallas, TX @ Gas Monkey
6/25 – St. Louis, MO @ The Ready Room
6/26 – Lawrence, KS @ The Granada
6/27 – Minneapolis, MN @ Sky Theater
6/29 – Chicago, IL @ Concord Music Hall
6/30 – Columbus, OH @ Park Street Saloon
7/1 – Cleveland, OH @ Agora Theater
7/5 – Montreal, QC @ Petit Olympia * (No Underachievers)
(AllHipHop News) If there was still any confusion about how Lil Wayne feels about his former mentor Birdman, the Young Money leader made it clear during a recent show at the Comerica Theater in Phoenix. Tunechi told the crowd exactly what he thinks about the Cash Money co-founder.
“Before I go any further I want y’all to know I got two new albums coming y’all way,” Wayne told the audience. “Let me hear you say, ‘F-ck the bullsh-t’… Say, ‘F-ck the world’… Say, ‘F-ck the Birdman’… and f-ck Cash Money.”
This public outburst comes just days after Weezy also cursed Cash Money in Denver. That was preceded by Wayne taking a photo with Birdman’s adversaries Trick Daddy and Rick Ross where the “A Milli” rhymer was seen raising his middle finger to the camera.
There have been reports that Wayne and Birdman’s legal talks over the release of Tha Carter V album and unpaid profits have ended. Wayne is suing Birdman and CMR for $51 million.
(AllHipHop News) More details are starting to emerge in the Troy Ave case.
According to the New York Daily News, a Kel Tech .9-mm pistol was found inside a hidden compartment of a minivan owned by Troy.
Police believe the gun was used in the shooting that took place at Irving Plaza on May 25.
The violent incident at the T.I. headlining concert left Troy injured after being shot in the leg, two other people wounded, and the Brooklyn rapper’s friend/bodyguard Ronald “Banga” McPhatter dead.
However, Pix 11 reports investigators now believe Troy did not shoot himself or McPhatter. A second shooter is being sought by law enforcement.
Apparently, an unnamed person approached Troy Ave and another individual at the show. They then began fighting before the man allegedly shot both Troy and McPhatter.
That suspected scenario does fit the explanation provided by Troy’s attorney Scott Leemon who has insisted his client was a victim in the situation.
Troy Ave has been the only person arrested in the case so far. He was arraigned on charges of attempted murder and criminal possession of a weapon. The BSB Records leader is being held without bail.
Joell Ortiz and Token get animated in their new video, Kill At Will.” The song premiered earlier today (May 31) and is taken from Joell Ortiz’ That’s Hip-Hop album.
(AllHipHopNews) G.O.O.D. Music President Pusha T took to his Instagram today (May 31) to announce the release of “Drug Dealers Anonymous,” the first single from his upcoming King Push project.
The new single will feature none other than Roc Nation CEO Jay Z who’s also popped back in the headlines of late after a brief hiatus.
Jay made a very fitting appearance on Fat Joe’s “All The Way Up” remix.
Pusha T’s King Push album is the follow-up to his album “King Push: Darkest Before Dawn,” which was released December of 2015.
The new project does not have a set release date or track list, but Pusha T announced through Twitter that the project’s lead single would be released through Tidal.
Pusha T’s King Push: Darkest Before Dawn was well received by critics for its gritty production and intricate lyricism.
Check out Pusha’s Instagram post announcing the release of the new single below.
Team CMG and Curtis Mayz recently released the song “Swangin” with Mel from the group OutfitTX
“Swangin” is taken from Curtis Mayz upcoming album Real.Life.Raps EP 1.0 which has a July release date.
“I wanted to rally take it back to where Hip Hop in the South was born. When you think about how UGK, 8-Ball & MJG made it OK to be from the south,” Curtis Mayz said. “They provided a platform and sound of the south,
that’s my inspiration & tribute to the OGs. Today, there isn’t too much swangin’ music left out there. So I just wanted to make some player s##t that n###az can smoke & ride too.”
(AllHipHop Features)Whenever the producer tag “Jahlil Beats holla at me” opens a track, the listener knows they are likely about to experience some heat. The voice of Orlando Tucker’s niece can be heard igniting records such as Meek Mill’s “Monster,” Bobby Shmurda’s “Hot N-gga,” and Royce da 5’9”’s “Rap On Steroids.”
Jahlil Beats has an entire catalog of songs he helped create with various artists as well as his own projects like theCrack MusicandLegend Eraseries. With his new venture Tandem Music Group, the production wizard from Chester, Pennsylvania has now embraced the role of an executive as well.
Rising Philadelphia acts CRMC (who recently dropped the joint mixtapeNew Levels New Devilswith Jahlil) and Bok Nero (whose “Hop Out The Phantom” produced by Jahlil was premiered on iHeartRadio) are Tandem’s flagship acts.
Besides building a multifaceted brand, Jahlil continues to construct hits. The Roc Nation affiliate is preparing to warm up the rest of 2016 with work by Meek, Beanie Sigel, Dave East, Fabolous, and more.
AllHipHop.com caught up with Jahlil Beats to talk about some of his recent production and his forthcoming musical efforts.
You’ve been making moves into the executive arena. Can you talk about Tandem?
We launched Tandem Music Group in January. It’s a publishing company/management company/entertainment business. It stems from Tandem Enterprises, a company I started with my partner and manager Doob [Dave Elliot] and my other partner RahTah [Johnson].
We do real estate. We got the label and sports management division. It’s really stemming from me being in the game for about five years, and wanting to go to that next level, me being inspired by dudes like Jay Z, Diddy, Jimmy Iovine, and Russell Simmons.
When you talk about all the different things Tandem is working on, it reminds me of how Roc Nation has management, the label, and sports. You were one of the first producers to connect with Roc Nation.
And we’re still going strong too.
Was there anything that you learned from that association with Roc Nation?
Yeah, my whole thing was getting under Jay and really seeing how things operated. I didn’t want to just go there and be a producer. I wanted to learn the business aspect of things.
The label might seem big, but the offices are small. It’s pretty much an independent label. Just being inspired by how Ty Ty [Smith], Emory [Jones], Jay Brown, and all those dudes move, I wanted to recreate that or make it better as a young guy.
Who are some of the artists you’re working with on Tandem?
Our first signed act is this kid from Philly named Bok Nero. He does a mix between Hip Hop and EDM. Our first deal with him was a joint venture with Dim Mak, Steve Aiko’s label.
What’s CRMC’s association with Tandem?
They are signed to Tandem only, but we’re about to do a joint venture with them too. We’re talking to about three or four labels. We’re just trying to find the right situation for them. Whoever comes out with the best contract, we’ll go with them.
They’re gearing up to drop a new mixtape next month. It’s like a “jackin for beats” joint where they’re hopping on everybody’s stuff. They do have two exclusive singles produced by me on there. That’s going to be crazy.
Will there be a follow-up to theNew Levels New Devilsproject?
Yeah, that’s in the works. We’re just experimenting with different things. I don’t want them to just have sequels to every mixtape. Whatever song or project catches the public’s ear, we’ll roll in that lane.
There’s been talk about you working with Beanie Sigel. What’s the status of that?
Yeah, Beans was in my studio last week too. We’re actually finishing up the album. Right now, he just did all his stuff. We’re looking to do at least three or four features on the hooks. We’re not really looking for anybody that’s going to rap with him on that. I know Dave East is going to be on there though.
Speaking of Dave East, what happened to the track with him and Bobby Shmurda?
That’s my single. I’m going to drop an EP soon. I’m waiting for the end of the summer. That joint is crazy. I really did it to try to help [Shmurda’s] situation out. I know they’re in an unfortunate situation. I want to give them most of the publishing off the record. I know that would be a big help for them.
Have you had the chance to talk to Bobby since his situation?
I haven’t, but I wrote him though.
Damian Lillard [aka Dame D.O.L.L.A.]recently released “Talk To Em” which you produced. How did that come together?
His people reached out to me. We did the “They Sleep” record. Then he reached out to me himself, and I sent him a whole bunch of joints. He did a gang of records. I don’t know if there’s a full project of us together, but it’s definitely more coming.
As far as what I’m working on –DC4, I’m on Fab’s album. I got mad stuff coming. The Beanie Sigel album. Me and Dave East got mad records coming. My EP is coming. I got mad records with Royce da 5’9”.
I like that joint [“Rap On Steroids”] you have on [Royce’s] mixtape.
They cut Eminem off of that. Em is at the end of the record.
When are we going to hear that [Eminem verse]?
I’m not even sure. I know it’s coming. He’s working on a new project, so I’m sure it’ll end up on there.
You mentioned Meek’sDC4. I heard you called it a classic. Can you give a hint to some of the topics he’s addressing on there?
This one is Meek going back to the streets and giving you so much substance. I think this is his best body of work. I don’t know if it’s going to stick, but we got “Tony Story 3” which is ridiculous. We got some club records.
He has grown. He’s been through some stuff last year and this year. He has a lot to talk about, so he’s definitely going to answer those questions.
With the stuff he went through last year and hisDC3being considered a classic mixtape, does Meek feel any sense of pressure of having to live up to the anticipation? The public is definitely going to be tuned in when this project drops, and you know there are people just waiting to talk sh-t.
Honestly, from talking to him, I think he’s just excited to release music. Going through what he’s been going through with the system, he’s just happy to be making music right now.
What are your thoughts on what’s happening in Philly right now? Are there any up-and-coming artists right on the verge of breaking?
I think it’s great. One artist I’m really paying attention to is Lil Uzi. He’s blowing up. Everybody wanted to sign this kid at one point. I’m just sitting back and watching what he’s going to do.
It’s a new wave of young cats that’s coming out that’s in the EDM market. That’s why I hopped on Bok Nero. These new dudes are a fusion between Trap, EDM, and some other sh-t. That’s the new sound of Philly, and if you ain’t into it then you’re going to be lost.
The Beat Bully is your brother.
Yeah, that’s my little brother – same mom and same dad.
What was happening in your household that led to, not one, but two top-tier producers coming out of that family?
Originally my cousinL [Lamount Graves],taught me how to make music. He lived with us at one point. He was the one that really got us into it. My pop is a producer too. But being next to my cousin with him making music, I was always intrigued by producing.
When stuff started to pop off for me when I was doing my mixtapes and recording all the hottest dudes in the city in my bedroom, Tone [The Beat Bully] was like, “Teach me how to make beats.” So I taught him.
My cousin Sap was another one me and my pop taught. I showed him the ropes. He produced Mac Miller’s “Donald Trump” and Game’s “Celebration.” My nephew makes beats too. He’s hot. It’s about five of us.
You’ve talked about some of your work coming up. What can we expect from Jahlil Beats in the next month or so?
Bok Nero is dropping his EP. I’m working with the kid Zoey Dollaz out of Miami. He’s got the record “Couches” that’s blowing up locally there. I’m starting to hear it on the radio here too. And I’m pretty much just focusing on helping Meek withDC4.
Now, you know I said in the next month, and you mentionedDC4.So people may think that meansDC4is coming in June. [laughs]
Nah, I don’t know when it’s coming. I just know we’re finishing it up. That’s all I can really tell you. I’d say we’re like 88% done.
(AllHipHop News) Legendary Hip-Hop label Duck Down Records is acknowledging the memory of the late Sean Price, by observing the 20th Anniversary of Heltah Skeltah’s album Nocturnal.
Heltah Skeltah was a group on Duck Down comprised of members Rock and the late Ruck, aka Sean Price. Other notable groups on the label include co-CEO Buckshot, Black Moon, Smif-n-Wessun, and O.G.C., collectively known as The Boot Camp Clik.
Together, Heltah Skeltah issued their albums Nocturnal and Magnum Force and helped account for a portion of the 3 million records Duck Down has sold over the last 21 years as an indie label.
Sean P. died suddenly of a heart attack on August 8, 2015.
Prior to his passing at the age of 43, Sean P. had produced a deep catalog as a solo artist, releasing critically acclaimed albums like Monkey Barz, Jesus Price Superstar, Random Axe with Guilty Simpson & Black Milk, Mic Tyson and Songs In The Key of Price.
On June 22nd at Knitting Factory in Brooklyn, Duck Down is hosting a highly anticipated show where performers on the label’s roster and its many associates will honor all things Sean P.
A number of guest artists will cover Sean Price’s rhymes during the concert, which kicks off at 8:00PM. Duck Down is bestowing all of the proceeds from the ticket sales to Sean P’s family.
On Thursday, Duck Down will follow the Sean P. tribute with their annual BBQ.
People who visit Duck Down’s barbecue at Betsy Head Park in Brownsville, Brooklyn, will be treated to performances by Buckshot, Rock of Heltah Skeltah, Smif N Wessun, A-F-R-O + Marco Polo, Young M.A, and Chelsea Reject.
In addition to the show, Duck Down, and its sponsors will feed everyone and hand out other collectible items, all for free.
Producer/DJ Statik Selektah will handle the 1’s and 2’s while media personality Peter Rosenberg will keep the crowd engaged as the host.
Duck Down is still putting in work since founders Dru Ha and rapper Buckshot launched the brand in 1995.
The label has been instrumental in developing a new crop of artists, while releasing albums by well-known acts like 9th Wonder, Pharoahe Monch and KRS-One, over the years.
Most recently, Bodega Bamz revealed the visuals to his track “All Eyez Off Me.” The single is taken from part one of Bodega Bamz three-part project All Eyez Off Me, which is due to be released June 1st.
Cop some merch for the BBQ from the label here and purchase tickets for Heltah Skeltah’s Nocturnal tribute right here.
(AllHipHop News) Nick Cannon is known to attack his opponents with words on his freestyle comedy show Wild ‘n Out. The entertainer recently offered an open challenge to any rapper to face him in a one-on-one lyrical match-up.
Yo tell your favorite rapper I got a 100k to battle them June 25th at the BET EXPERIENCE! #WildStyle Who should I get? These rappers scared!
Several professional battlers such as Murda Mook, Dizaster, and The Saurus as well as celebrities like Bow Wow and Adrien Broner have responded to Cannon. Now Charron has put his name in the hat too.
The Canadian spitter posted a video where he recites bars directed at Cannon. The rap includes Charron calling Cannon a C-list celebrity, accusing battle rapper/Wild ‘n Out star Conceited of writing his lyrics, and throwing shots about his divorce from Mariah Carey.
“If you’re really about your business, let’s make this a $500,000 battle. Put up $250,000 each,” said Charron. “Let me get my funds together. I’ll make it happen.”
In addition, Charron offered two stipulations for the battle – the winner is determined by five agreed upon judges, and if he wins Cannon must sign him for one season of Wild ‘n Out.
(AllHipHop News) Rapper T.I. was initially reluctant to sign on to the new “Roots” miniseries because he didn’t think the classic TV drama needed to be remade.
The “Whatever You Like” star plays runaway slave Cyrus in the historical miniseries, which is based on Alex Haley’s 1976 book, “Roots: The Saga of an American Family.”
The original 1977 production earned nine Emmy Awards, a Golden Globe and a Peabody Award, and spawned two sequels. The finale is still the third highest-rated U.S. TV program in broadcasting history and as a result, T.I., 35, was apprehensive about getting involved with the reboot.
“This was an opportunity that he presented to me, and of course initially he got a little bit of push back from me,” he told The Huffington Post. “I will admit that I was one of the ones to say, ‘Man, I don’t know if that needs to be remade.'”
The star also expressed concerns the show’s content was too emotional for producer Will Packer to take on.
He continued, “It was just a huge undertaking for him as a producer and for me as an actor to sign up to remake such a classic and to tell a story that has so much pain and just so much turmoil involved in it.”
However, once T.I. signed on for the project, he used his past experiences of incarceration to help prepare him for his role.
“I do know what it’s like to have your freedom be taken from you or to not have it be available to you,” he explained. “I kind of amplified my thoughts and how I felt when my freedom was separate and apart from me. So I kind of took that and pushed upon it, because Cyrus is actually thee most rebellious and non-subservient character that there is. You never see Cyrus in ‘Roots’ as a slave, he’s always a runaway slave – running, dodging bullets and doing whatever it takes to maintain his freedom. So it wasn’t as slave written as the rest of the characters (sic), but I think all of the characters collectively to the story are important.”
The slave drama has since been heavily criticized by rapper Snoop Dogg, who has called on fans to boycott the show and urged filmmakers and producers to focus their efforts on documenting the success of African-Americans, instead of revisiting their tough past.
The four-part miniseries also stars Laurence Fishburne, Forest Whitaker, Jonathan Rhys Meyers, Anna Paquin, Anika Noni Rose, and newcomer Malachi Kirby.
It debuted on The History Channel channel last night (May 30).
